Showfoto/Hvidbalance

KDE fotointroduktion 1-3: Hvidbalance

Unai Garro (uga) - Sommeren 2008

Dette er den tredje i rækken af vejledninger, som prøver at vise, hvor effektive KDE's fotoprogrammer kan være til at korrigere og forbedre dine fotografier. I den første og anden vejledning så vi på forhold vedrørende eksponering, dvs. vi behandlede billeder med områder, som var for mørke eller for lyse og vi viste, hvordan man korrigerer dem enten ved at bruge niveauredskabet eller kurveredskabet.

I denne tredje del vil vi fortsætte med at behandle problemer med belysning, men vi vil se på farver i stedet for lysstyrke.

Lad os så komme i gang!

Vi bruger mest vore kameraer udendørs. Lyset er rart, solen skinner og vi tager gode billeder med vore kameraer; men nogen gange må vi tage billeder indendørs til fester eller konferencer, og så er belysningen ikke optimal. Vi tager endda en gang imellem billeder med flash. Hvad er så problemet? Selv om det ofte ikke bemærkes, så kommer indendørs belysning ofte enten fra glødelamper (som giver et lidt gulligt eller orange lys) eller fra lysstofrør (som er mere blåligt), og afhængig af belysningen kan de resulterende fotos variere meget.

Lad os betragte det følgende eksempel fra Akademy 2008, venligst doneret af Sebastian Kügler til denne vejledning:

Her har vi Mike og Paul i diskussion om bagudkompatibilitetspørgsmål under et alvorligt Akademy-møde.

Uh, isn't Mike's face a bit reddish? does he actually look like this? is it due to the heated discussion they are having? ... oh wait... no, that's just poor lighting!

So what happenned to that photo. Simply, the room was poorly illuminated by yellowish tungsten lamps, and the camera captured that nicely. Our eyes (or rather, our brain), compensate it automatically to identify the colors, but cameras not always manage doing that.

Most or all digital cameras these days allow correcting that when taking the picture, with an option called "white balance (WB) setting". The menu is usually similar to the following image:

If the camera was set like in this picture (light bulb/tungsten light selected), the picture would have turned out better colored. In the same camera menu, you will find many more options for cloudy/sunny days, fluorescent light, flash light, etc. Please refer to your own camera's manual for more details, since each particular camera is different.

By default, though, cameras are usually preset to AWB (auto white balance). This means that the camera will try guessing which setting of all is the most adequate in each case. It can work nicely, but honestly, most of the times they fail while indoors, like in this case.

So what to do now? Showfoto to the rescue again!!!!!!

Lets open the photo in Showfoto, and select the option Color -> White balance... in the menu:

You will get the following dialog popping up:

It sounds complex, right? Well, it's very simple. The most important parts are the top two ones.

Both tools do exactly the same, but the input is a bit different in each case.

The second tool is what you already know. It's equivalent to the camera's White Balance Settings. There are different presets for each light types: 40watt lamps, 100 watt lamps... You can select one of them, and it should fix the colors, but... which of them is the correct one for our light source? hard choice, huh?

The first tool is much more flexible. It allows adjusting the Kelvin Temperature of the light. The Kelvin temperature indicates just if the light source was warmer (reddish), or colder (bluish). The more you move the slider to the right, the orange/redder the image will become. The more you move it to the left, the more blueish it will turn. But this tool can be a bit hard to tweak, and usually requires extra hard work like adjusting the green color slider. Not very easy to do.

So what's the solution? It's easy. In the same dialog, right besides the Kelvin temperature setting, you will find a color picker as shown in the next picture. The color picker allows us selecting a point in the original image that should have been white or gray (i.e., not colored, same R=G=B values).

Most pictures have such places. For example, Mike's t-shirt is possibly white around his neck, given the photograph. So I clicked on it:

Impressive, isn't it? Yes, that's the power of white balance correction. Now you really get to see the real colors in the photograph. You can now know that his face isn't orange, the wall was actually painted yellow, and his t-shirt was dark blue. You can adjust further the tool manually by adjusting the Kelvin temperature, brightness of the picture etc. (for length reasons, I will leave the exploring of those tools to the reader).

I could just be satisfied with this photo and be done with the tutorial, but I am not. Look at Mike's forehead, the tool has overexposed it and it's all white now. There's no information there, we clipped the histogram. Somehow, for reasons unknown to me, Showfoto's white balance tool has a tendency to do this in some photos where highlights exist and have little detail. And no matter how much you tweak the tool you may not get it right, like in this case. But I won't give up.

If you remember from the second tutorial, we learned how to adjust the brightness of the image using curves. Lets do it then. BEFORE applying the white balance tool, lets darken a bit Mike's forehead:

Note

Moving the right point of the curves tool down is equivalent to using the levels tool, and moving the maximum output level left. Give it a thought.

And now yes, after repeating the same process, I got the forehead not that much overexposed:

In the same tool, I adjusted saturation a bit lower since the shadows were still a bit reddish, and yes. Now just press OK.

Before presenting the image, adjust a bit levels (as shown before in the first tutorial) and we are now done:

Another nice photo and tool for our collection - thanks Mike and Paul for this great image and I really hope you enjoy these series. Feel free to give suggestions for improvements and cya in the next tutorial!